Rating the Covers: Arabella, German (Bertelsmann, 1970)

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This Arabella walks the fine line between coy and vapid, and it is unclear exactly on which side she lands. The stately home in the background could potentially be in London but definitely gives off countryside vibes — and that neckline is positively scandalous for a debutante. Also, who pairs a red parasol with pink and yellow? Is this Arabella colour blind, and/or devoid of Lady Bridlington’s fashionable eye? A valiant effort, nonetheless. B-

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